• Subcultural Ephemera 1992 - 2005

    Selection of posters, flyers, and invitations created between 1992–1997 in Slovakia and 1999–2005 in the United States. Most are drawings on paper, sometimes incorporating collage elements. The designs were later reproduced using photocopy or offset printing techniques.

  • Acceton 1984-87 (2021-2022) Metal Magazine

    In 1984 in elementary school in my hometown of Piešťany, my friend “Skele” (short for Skeleton) and I became “metalhead” fans of Heavy Metal music. At this time Czechoslovakia was part of the Soviet Block, so any western music was very hard to come by. The best you could get was cassette tapes with very…

  • Hail Stan! Autobiographical Jackets 1990s-present

    Jackets have been created over various periods of time, starting in the 1990s, and they are still in progress. Sometimes, years pass before small additions are made. Each jacket is autobiographical, with its own theme and unique statement. These works remain in progress until they leave the artist’s possession.

  • Organized Disturbance of the Peace Works on paper 2017-2018

    This series was inspired by the early post-revolution punk movement in Czechoslovakia. In the 1990s, Slovakia experienced a period of significant social and political change following the peaceful dissolution of Czechoslovakia in 1993. During this time, punk in Slovakia was characterized by a vibrant underground scene that embraced the do-it-yourself (DIY) ethos.

  • By the Misery of Fate I’m Haunted Folk Tale 2020-2021

    The collection of works titled “By the Misery of Fate I’m Haunted” was created during the Covid-19 pandemic, while in isolation in the countryside of Michiana Shores. All materials were gathered from the surrounding woods, nature trails, streets, and beaches, and each piece was made with a limited use of tools. Every work is dated…

  • In That I Trust 2014-2016

    With a cursory glance at the work of Stanislav Grezdo, it’s easy for a viewer to place these paintings in the category of “political art,” as the artist employs a bold, Soviet era formal language with ease. However, Grezdo’s practice is not as much about politics or revolution as it is a punk rock kind…